Showing posts with label Location Portraiture. Show all posts
Showing posts with label Location Portraiture. Show all posts

Tuesday, 6 September 2016

Location Portraiture - Straight Images


f-stop: f5.6
shutter speed: 1/125
ISO: 200


f-stop: f5.6
shutter speed: 1/125
ISO: 200


f-stop: f5.6
shutter speed: 1/125
ISO: 400


f-stop: f5.6
shutter speed: 1/125
ISO: 400


f-stop: f5.6
shutter speed: 1/125
ISO: 200


Location Portraiture - Work Diary

For this session I was tasked with conducting a location portraiture shoot. My focus for this task was to take pictures of people in town rather than people from class as I felt this would be more unique and different from what I usually do. I was successful in doing this, although it was quite difficult to find people who were willing to have their picture taken. Also, we were tasked with including a narrow depth of field in our images and this was something that I struggled with as, most of the time, the subject of the image was against a background that I could not create a distinct separation with (for example, the second image below). In the first image below, I have an example of where I edited the image so that it included a narrow depth of field.


This was my favourite image of the shoot. What I enjoy about this image is how I managed to capture the man in his workplace - you can see the tray behind him with needles and dishes and he is wearing gloves. Alongside this, we see a bed and a tattoo-style poster. From this, it is clear that this was taken in a piercing studio. The original image had a wide depth of field, which is not what I wanted. To create a shallow depth of field, I used the lasso tool to select the man, inverted the selection and then used the gaussian blur tool make the background slightly out of focus. I feel that I was successful in creating a shallow depth of field this way.


Whilst I like this image, I do not feel that it followed the task of location portraiture. As the man was cleaning the windows, he was unable to face me and so I was unsuccessful in getting a picture of him from the front. If I had taken the picture from the side, I would have been able to get a picture of his face. I do not feel as though this image is an example of portraiture and so I do not like it as part of this task.

Progression

If I were to focus on this topic again, I would try to ensure that I focus more on getting a shallow depth of field in my images by playing more with my camera settings and trying to take the image against a background that has a distinct contrast against the subject. I will also ensure that the people that I take images of are able to face me and are not distracted as this was a problem with a couple of people that I took pictures of and so I was limited with what images I could use for my straight images.

Can I use this in my project?

I will be able to use this technique in my project as I am doing documentary photography and will be focussing on people within my image, which will result in location portraiture being a large part of my project.

Location Portraiture - Image Bank


This image has used a shallow depth of field and a vignette effect in order to make the girl the focus of the image. Whilst the eyes appear to be the part of this image that is the sharpest, I feel as though the viewers focus would be drawn towards the girls mouth due to her missing teeth. This image is likely to have been taken to show that the girl has lost her teeth. With this, there are connotations of growing up as the girl has lost her 'baby' teeth and is growing her 'adult' teeth. 


This image shows a woman standing in a field with the sunset behind her. Whilst the background is out of focus, we can still tell that the sun is setting from the golden colours throughout this image, and from how the sun is shining through her hair. This image could connote a feeling of freedom or isolation as we can see a vast amount of empty land behind her, with not another person in sight. This could make a person feel free as they feel they have escaped society, or isolated as they are the only one around. 


This picture focuses on the man by using an extremely narrow depth of field. This photographer would have used an f-stop of around f4.0 or less to create such a strong blur. There is also the possibility that the photographer edited the image in Photoshop to make it more blurred. Due to such stark contrast between the foreground and the background, this image could connote how the man feels separate from the world and how reality is blurred and distorted.  


Like the image above, this image uses an exceedingly narrow depth of field to create a contrast between the foreground and background, and to ensure that the subject of the image is the only thing that the viewer focuses on. The use of shallow depth of field could connote that she has shut out the world around her, and the way that the woman in the image is smelling the bunch of flowers in her hand could refer to the saying 'stop and smell the roses' - sometimes you need to slow down and just relax.


This image mostly uses wide depth of field, with a small portion of the background being blurred. This does not stop the viewers attention from being drawn towards the people, though, as they are central in the image and the colour of the girl's tracksuit contrasts with the dull greys and browns of her surroundings. This image connotes how the man in the image is protective of the woman, with the way he is holding her and the fact that she is sat on his lap. It also connotes this with the way he stares at the camera, almost trying to intimidate the viewer.

Location Portraiture - Definition and Technique

Definiton

Lighting on location can often influence the way a photograph is taken. A technique often used in location portraiture is adjusting the aperture to obtain a shallow depth of field. This throws the background out of focus and allows you to shoot in dimmer lighting conditions as the shutter speeds at an f-stop of around f5.6 with be fast. It is also common for photographers to shoot in manual focus whilst doing location portraiture as it allows them to get a sharp focus on the subject's eyes or face. A key part of getting a good portrait image on location is to ensure that the person in the photograph is comfortable and that you are interacting with them. This will make the image seem more natural and the image will appear less stiff and set up. Many photographers work with a tripod when shooting on location - an example photographer is Alec Soth. Examples of his work are below.

Technique

Camera Settings: f/4, 1/200, ISO 200

Lighting: natural lighting/artifical lighting within stores.

Equipment: tripod.

Examples